What your brain does with colours when you are not “looking” – part 1

When I published the last post of my series The rainbow is dead…long live the rainbow! there was a great discussion in the comments section with Giuliano Bernardi, a Ph.D. student at the University of Leuven, on the use of different colour palettes in audio spectrogram visualization.

Since then Giuliano has been kind enough to provide me with the data for one of his spectrograms, so I am resuming the discussion. Below here is a set of 5 figures generated in Matlab from the same data using different colormaps. With this post I’d like to get readers involved and ask to cast your vote for the colormap you prefer, and even drop a line in the comments section to tell us the reason for your preference.

In the second post I’ll show the data displayed with the same 5 colormaps but using a different type of visualization, which will reveal what our brain is doing with the colours (without our full knowledge and consent), and then I will ask again to vote for your favourite.

 

 

spectrogram_jet

A – Jet colormap

spectrogram_gray

B – Gray scale

spectrogram_lin_L_rainbow

C – Linear Lightness rainbow

spectrogram_mod_heated_body

D – Modified heated body (linear Lightness)

spectrogram_CubicYF

E – Cube-law Lightness rainbow

Color palettes for seismic structure maps and attributes

I created three color palettes for structure maps (seismic horizons, elevation maps, etcetera) and seismic attributes. To read about the palettes please check these previous blog posts:

The rainbow is dead…long live the rainbow! – Part 5 – CIE Lab linear L* rainbow
The rainbow is dead series – Part 7 – Perceptual rainbow palette – the method
The rainbow is dead series – Part 7 – Perceptual rainbow palette – the goodies

The palettes are available as plain ASCII files and also formatted for a number of platforms and software products:

Geosoft
Hampson-Russell
Kingdom
Madagascar
Matlab
OpendTect
Petrel
Seisware
Surfer
Voxelgeo

Please download them from my Color Palettes page and follow instructions therein.

Enjoy!

linearlfb

Image courtesy of Sergey Fomel of the Madagascar Development blog

Perceptual rainbow palette – the goodies

Perceptual rainbow palette – Matlab function and ASCII files

In my last post I introduced cubeYF, my custom-made perceptual lightness rainbow palette. As promised there, I am sharing the palette  with today’s post. For the Matlab users, cube YF, along with the other palettes I introduced in the series, is part of the Matlab File Exchange submission Perceptually improved colormaps.

For the non-Matlab users, please download the cubeYF here (RGB, 256 samples). You may also be interested in cube1, which has a slightly superior visual hue contrast, due to the addition of a red-like color at the high lightness end but at the cost of a modest deviation from 100% perceptual. I used cube 1 in my Visualization tips for geoscientists series.

Perceptual rainbow palette – preformatted in various software formats

The palettes are also formatted for a number of platforms and software products: Geosoft, Hampson-Russell, SMT Kingdom, Landmark Decision Space Geoscience, Madagascar, OpendTect, Python/Matplotlib, Schlumberger Petrel, Seisware, Golden Software Surfer, Paradigm Voxelgeo. Please download them from my Color Palettes page and follow instructions therein.

Another example

In Comparing color palettes I used a map of South America [1] to compare a linear lightness palette to some common rainbow palettes using  grayscale as a perceptual benchmark. Below, I am doing the same for the cubeYF colormap.

South_America_maps_CubeYF_rainbow

Comparison of South America maps using, from left to right: ROYGBIV (from this post) , classic rainbow, cubeYF, and grayscale

Again, there is little doubt in my mind that cubeYF does a superior job compared to the other two rainbow palettes as it is free of artefacts [2] and more similar to grayscale  (with the additional benefit of color).

The ROYGBIV and cubeYF map have been included in Marek Kultys’ excellent tutorial Visual Alpha-Beta-Gamma: Rudiments of Visual Design for Data Explorers, recently published  on Parsons Journal for information mapping, Volume V, Issue 1.

An online palette testing tool

Both cubeYF and cube1 feature in the colormap evaluation tool by the Data Analysis and Assessment Center at the Engineer Research and Development Center. If you want to quickly evaluate a number of palettes, this is the right tool. The tool has a collection of many palettes, organized by categories, which can be used on 5 different test image, and examined in terms of RGB components and human perception. Below here is an example using cube YF.

hpc_terrain

An idea for a palette’s mood test

A few weeks ago, thanks to Matt Hall (@kwinkunks on twitter),  I discovered Colour monitor, a great online tool by Richard Weeler (@Zephyris on twitter). You supply an image; Colour monitor analyses its colors in terms of hue, saturation and luminance and produces a graphical representation of the image’s mood [3]. I thought, what a wonderful idea!

Then I wondered: what if I used this to tell me something about a color palette’s mood? The circular histogram of colors reminded me of the Harmonic templates [4] on the hue wheel from this paper And so I created fat colorbars using the three  palettes I used in the last post, saved them as images, and run the monitor with them. Here below are the results for Matlab jet, Industry Spectrum, and cubeYF. Looking at these palettes in terms of harmony I would say that jet is not very harmonic (too large a portion of the hue circle; the T template, which is the largest, spans 180 degrees), and that the spectrum is terrible.

CubeYF is also exceeding a bit 180 degrees, but looks very close to a T template rotated by 180 degrees (rotations are allowed). So perhaps I could trim it a bit? But to me it looks a lot nicer and gives me a vibe of really good mood, and reminds me of one of those beautiful central american headdresses, like Moctezuma’s crown.

jet-clrmp-mood

Jet mood

Spectrum-industry-clrmp-mood

Spectrum mood

cubeYF-clrmp-mood

cubeYF mood

Notes

[1] Created with data from the Global Land One-km Base Elevation Project at the National Geophysical Data Center.

[2] Looking at the intensity of the colorbars may help in the assessment: the third and fourth colorbars are very similar and both look perceptually linear, whereas the first and second do not.

[3] Quoted from Richard’s blog post: “… in the middle is a circular histogram of the colours (spectral shades) in the image, and gives an idea of how much of each colour there is. Up the left is a histogram of image brightness (lightness of colour), and up the right is a histogram of colour saturation (vibrancy)”.

[4] Quoted from the paper’s abstract: “Harmonic colors are sets of colors that are aesthetically pleasing in terms of human visual perception. If you are interested in this idea there is a set of slides and a video on the author’s website

Related posts

Perceptual rainbow palette – the method

With this post I would like to introduce my new, perceptually balanced rainbow color palette. I used the palette for the first time in How to assess a colourmap, an essay I wrote for 52 Things You Should Know About Geophysics, edited by Matt Hall and Evan Bianco of Agile Geoscience.

In my essay I started with the analysis of the spectrum color palette, the default  in some seismic interpretation softwares, using my Lightness L* profile plot and Great Pyramid of Giza test surface (see this post for background on the tests and to download the Matlab code). The profile and the pyramid are shown in the top left image and top right image in Figure 1, from the essay.

spectrum vs cubeYF

Figure 1

In the plot the value of L* varies with the color of each sample in the spectrum, and the line is colored accordingly. This erratic profile highlights several issues with spectrum: firstly, the change in lightness is not monotonic. For example it increases from black (L*=0) to magenta [M] then drops from magenta to blue [B], then increases again and so on. This is troublesome if spectrum is used to map elevation because it will interfere with the correct perception of relief, particularly if shading is added. Additionally, the curve gradient changes many times, indicating a nonuniform perceptual distance between samples. There are also plateaus of nearly flat L*, creating bands of constant color (a small one at the blue, and a large one at the green [G]).

The Great Pyramid has monotonically increasing elevation (in feet – easier to code) so there should be no discontinuities in the surface if the color palette is perceptual. However, clearly using the spectrum we have introduced many artificial discontinuities that are not present in the data. For the bottom row in FIgure 1 I used my new color palette, which has a nice, monotonic, compressive Lightness profile (bottom left). Using this palette the pyramid surface (bottom right) is smoothly colored, without any perceptual artifact.

This is how I created the palette: I started with RGB triplets for magenta, blue, cyan, green, and yellow (no red), which I converted to L*a*b* triplets using Colorspace transformations, a Matlab function available on the Matlab File Exchange. I modified the new L* values by fitting them to an approximately cube law L* function (this is consistent with Stevens’ power law of perception), and adjusted a* and b* values using Lab charts like the one in Figure 2 (from CIELab Color Space by Gernot Hoffmann, Department of Mechanical Engineering, University of Emden)  to get 5 colors moving up the L* axis along an imaginary spiral (I actually used tracing paper). Then I interpolated to 256 samples using the same ~cube law, and finally reconverted to RGB [1].

L*50_RGBval

Figure 2

There was quite a bit of trial and error involved, but I am very happy with the results. In the animations below I compare the spectrum and the new palette, which I call cubeYF, as seen in CIELab color space. I generated these animations with the method described in this post, using the 3D color inspector plugin in ImageJ:

I also added Matlab’s default Jet rainbow – a reminder that defaults may be a necessity, but in many instances not the ideal choice:

OK, the new palette looks promising, insofar as modelling is concerned. But how would it fare using some real data? To answer this question I used a residual gravity map from my unpublished thesis in Geology at the University of Rome. I introduced this map and discussed the geological context and objectives of the geophysical study in a previous post, so please refer to that if you are curious about it. In this post I will go straight to the comparison of the color palettes; if you are unfamiliar with gravity data, try to imagine negative residuals as elevation below sea level, and positive residuals as elevation above seal level – you won’t miss out on anything.

In Figures 3 to 6 I colored the data using the above three color palettes, and grayscale as benchmark. I generated these figures using Matlab code I shared in my post Visualization tips for geoscientists: Matlab, and I presented three of them (grayscale, Spectrum, and cubeYF) at the 2012 convention of the Canadian Society of Exploration Geophysicists in Calgary (the extended abstract, which I co-authored with Steve Lynch of 3rd Science, is available here).

In Figure 3, the benchmark for the following figures, I use grayscale to represent the data, assigning increasing intensity from most negative gravity residuals in black to most positive residuals in white (as labeled next to the colorbar). Then, I used terrain slope to create shading: the higher the slope, the darker the shading that is assigned, which results in a pseudo-3D display that is very effective (please refer to Visualization tips for geoscientists: Surfer, for an explanation of the method, and Visualization tips for geoscientists: Matlab for code).

Figure 3 - Grayscale benchmark

Figure 3 – Grayscale benchmark

In Figure 4 I color the pseudo-3D surface with the cubeYF rainbow. Using this color palette instead of grayscale allows viewers to appreciate smaller changes, more quickly assess differences, or conversely identify areas of similar anomaly, while at the same time preserving the peudo-3D effect. Now compare Figure 4 with Figure 5, where we use the spectrum to color the surface: this palette introduces several artefacts (sharp edges and bands of constant hue) which confuse the display and interfere with the perception of pseudo-relief, all but eliminating the effect.  For Figure 6 I used Matlab’s default Jet color palette, which is better that the spectrum, and yet the relief effect is somewhat lost (due mainly to a sharp yellow edge and cyan band).

campi cube YF

Figure 4 – cube YF rainbow

campi spectrum

Figure 5 – Industry spectrum

campi jet

Figure 6 – Matlab Jet

It looks like both spectrum and jet are poor choices when used for color representation of a surface, with the new color palette a far superior alternative. In the CSEG convention paper mentioned above (available here) Steve and I went further by showing that the spectrum not only has these perceptual artifacts and edges, but it is also very confusing for viewers with deficient color vision, a condition that occurs in about 8% of Caucasian males. We did that using computer software [2] to simulate how viewers with two types of deficient color vision, Deuteranopia and Tritanopia, would see the two colored surfaces, and we compare the results. In other words, we are now able to see the images as they would see them. Please refer to the paper for a full discussion on these simulation.

In here, I show in Figures  7 to 9 the Deuteranope simulations for cubeYF, spectrum, and jet, respectively. In all three simulations the hue discrimination has decreased, but while the spectrum and jet are now even more confusing, the cubeYF has preserved the relief effect.

Deuteranope Simulation of campi cube YF

Deuteranope Simulation of cube YF

Deuteranope Simulation of campi spectrum

Deuteranope Simulation of Industry spectrum

Deuteranope Simulation of campi jet

Deuteranope Simulation of Matlab Jet

That’s it for today. In my next post, to be published very shortly, you will get the palette, and a lot more.

References

A more perceptual color palette for structure maps, CSEG/CSPG 2012 convention, Calgary

How to assess a colourmap, in 52 Things You Should Know About Geophysics

Notes

[1] An alternative to the method I used would be to start directly in CIELab color space, and use a some kind of spiral *L lightness profile programmatically.  For example:

– Using 3D helical curves from: http://www.mathworks.com/matlabcentral/fileexchange/25177-3d-curves

– Using Archimedes spiral

– Expanding on code by Steve Eddins at Mathworks (A path through L*a*b* color space) in this article , one could create a spiral cube lightness with something like:

%% this creates best-fit pure power law function 
%  Inspired by wikipedia - http://en.wikipedia.org/wiki/Lightness
l2=linspace(1,power(100,0.42),256); 
L2=(power(l2,1/0.42))'; 

%% this makes cielab real cube function spiral 
radius = 50; 
theta = linspace(0.6*pi, 2*pi, 256).'; 
a = radius * sin(theta); b = radius * cos(theta); 
Lab1 = [L2, a, b]; RGB_realcube=colorspace('RGB<-Lab',(Lab1));

[2] The simulations are created using ImageJ, an open source image manipulation program, and the Vischeck plug-in. I later discovered Dichromacy, anther ImageJ plug-in for these simulations, which has the advantage of being an open source plugin. They can also be performed on the fly (no upload needed) using the online tool Color Oracle.

Related posts

Edge detection as image fidelity test

This post is a quick follow-up to Dithering, a very interesting post by Cris Luengo, developer of DIPimage, a free Matlab image analysis toolbox.

Dithering is a graphic method that arranges black and white pixels in an image with certain patterns, to make it appear as though there are many intermediate gray levels. It is used when working with limited palettes. In his post Cris compares several algorithms that perform dithering.

As I commented in the post, after reading it I thought of a way to quantify the effectiveness of the various methods in replicating the original image: we can use Canny and Sobel filters to detect edges on the dithered results, and on the original. I show some of these in the image matrix below:

Looking at these results I argued that the structure-aware dithering did a much better job at preserving the edges in the original and the Canny and Sobel picked up on this (as do our eyes when we look at the results in the top row).

Comparing color palettes

Introduction

In my last post I introduced a CIE Lab linear L* rainbow palette from a paper by Kindlmann et al. [1]. I used this palette with a map of South America created with data from the Global Land One-km Base Elevation Project at the National Geophysical Data Center. The map is the third one in the figure below.

South_America_maps_LinearL_rainbow

Based on visual inspection I argued that linear L* colored map compares more favourably with the grayscale – my perceptual benchmark – on the right – than the first and second, which use my ROYGBIV rainbow palette (from this post) and a classic rainbow palette, respectively. I noted that looking at the intensity of the colorbars may help in the assessment: the third and fourth colorbars are very similar and both look perceptually linear, whereas the first and second do not.

So it seems that among the three color palettes the third ones is the best, but…..

… prove it!

All the above is fine and reasonable, and yet it is still very much subjective. How can I prove it, convince myself this is indeed the case?

Well, of course one way is to use my L* profile and Great Pyramid tests with Matlab code from the first post of this series. Look at the two figures below: comparison of the lightness L* plots clearly shows the linear L* palette is far more perceptual than the ROYGBIV.

L plot linear L L plot ROYGBIV

One disadvantage of this method is that you have to use Matlab, which is neither free nor cheap, and have to be comfortable with some code and ASCII file manipulation.

Just recently I had an idea for an open source alternative with ImageJ and the 3D color inspector plugin. The only preparatory step required is to save a palette colorbar as a raster image. Then open the image in ImageJ, run the plugin and display the colorbar in Lab space in a 3D view. There are many options to change the scale of the plot, the perspective, and how the colors are displayed (e.g. frequency weighted, median cut, etcetera). The view can be rotated manually, and also automatically.  Below I am showing the rotating animations for the same two palettes.

Discussion

The whole process, including the recording of the animations using  the Quicktime screencast feature, took me less than 10 minutes, and it leaves no doubt as to which one is the best color palette. Let me know what you think.

A few observations: in 3D the ROYGBIV palette is even more strikingly and obviously non-monotonic. The lightness gradient varies in magnitude, resulting in non-uniform contrast. Compare for example the portion between blue and green to that between green and yellow: these have approximately the same number of samples but very different change in lightness value between the extremes. The gradient sign also changes, producing perceptual inversions, for example with the yellow to red section following the blue to yellow. These inversions may result in perceived elevation inversions, for example, if using this palette to display elevation data. On the other hand, the linear L* palette nicely spirals upwards with L* changing monotonically from 0 to 100.

References

[1] Kindlmann, G. Reinhard, E. and Creem, S., 2002, Face-based Luminance Matching for Perceptual Colormap Generation, IEEE – Proceedings of the conference on Visualization ’02

Related posts (MyCarta)

The rainbow is dead…long live the rainbow! – the full series

What is a colour space? reblogged from Colour Chat

Color Use Guidelines for Mapping and Visualization

A rainbow for everyone

Is Indigo really a colour of the rainbow?

Why is the hue circle circular at all?

A good divergent color palette for Matlab

Related topics (external)

Color in scientific visualization

The dangers of default disdain

Color tools

How to avoid equidistant HSV colors

Non-uniform gradient creator

Colormap tool

Color Oracle – color vision deficiency simulation – stand alone (Window, Mac and Linux)

Dichromacy –  color vision deficiency simulation – open source plugin for ImageJ

Vischeck – color vision deficiency simulation – plugin for ImageJ and Photoshop (Windows and Linux)

For teachers

NASA’s teaching resources for grades 6-9: What’s the Frequency, Roy G. Biv?

ImageJ and 3D Color inspector plugin

http://rsbweb.nih.gov/ij/docs/concepts.html

http://rsb.info.nih.gov/ij/plugins/color-inspector.html

The rainbow is dead…long live the rainbow! – Perceptual palettes, part 5 – CIE Lab linear L* rainbow

Some great examples

After my previous post in this series there was a great discussion on perceptual color palettes with some members of the Worldwide Geophysicists group on LinkedIn. Ian MacLeod shared some really good examples, and uploaded it in here.

HSL linear L rainbow palette

Today I’d like to share a color palette that I really like:

It is one of the palettes introduced in a paper by Kindlmann et al. [1]. The authors created their palettes with a technique they call luminance controlled interpolation. They explain it in this online presentation. However they used different palettes (their isoluminant rainbow, and their heated body) so if you find it confusing I recommend you look at the paper first. Indeed, this is a good read if you are interested in colormap generation techniques; it is one of the papers that encouraged me to develop the methodology for my cube law rainbow, which I will introduce in an upcoming post.

This is how I understand their method to create the palette: they mapped six pure-hue rainbow colors (magenta, blue, cyan, green, yellow, and red) in HSL space, and adjusted the Luminance by changing the HSL Lightness value to ‘match’ that of six control points evenly spaced along the gray scale palette. After that, they interpolated linearly along the L axis between 0 and 1 using the equation presented in the paper.

CIE Lab linear L* rainbow palette

For this post I will try to create a similar palette. In fact, initially I was thinking of just replicating it, so I imported the palette as a screen capture image into Matlab, reduced it to a 256×3 RGB colormap matrix, and converted RGB values to Lab to check its linearity in lightness. Below I am showing the lightness profile, colored by value of L*, and the Great Pyramid of Giza – my usual test surface –  also colored by L* (notice I changed the X axis of both L* plots from sample number to Pyramid elevation to facilitate comparison of the two figures).

Clearly, although the original palette was constructed to be perceptually linear, it is not linear following my import. Notice in particular the notch in the profile in the blue area, at approximately 100 m elevation. This artifact is also visible as a flat-looking blue band in the pyramid.

I have to confess I am not too sure why the palette has this peculiar lightness profile. I suspect this may be because their palette is by construction device dependent (see the paper) so that when I took the screen capture on my monitor I introduced the artifacts.

The only way to know for sure would be to use their software to create the palette, or alternatively write the equation from the paper into Matlab code and create a palette calibrated on my monitor, then compare it to the screen captured one. Perhaps one day I will find the time to do it but having developed my own method to create a perceptual palette my interest in this one became just practical: I wanted to get on with it and use it.

Fixing and testing the palette

Regardless of what the cause might be for this nonlinear L* profile, I decide to fix it and I did it by simply replacing the original profile with a new one, linearly changing between 0.0 and 1.0. Below I am showing the L* plot for this adjusted palette, and the Great Pyramid of Giza, both again colored by value of L*.

The pyramid with the adjusted palette seems better: the blue band is gone, and it looks great. I am ready to try it on a more complex surface. For that I have chosen the digital elevation data for South America available online through the Global Land One-km Base Elevation Project at the National Geophysical Data Center. To load and display the data in Matlab I used the first code snippet in Steve Eddin’s post on the US continental divide  (modified for South America data tiles). Below is the data mapped using the adjusted palette. I really like the result: it’s smooth and it looks right.

South_America_LinearL_solo

But how do I know, really? I mean, once I move away from my perfectly flat pyramid surface, how do I know what to expect, or not expect? In other words, how would I know if an edge I see on the map above is an artifact, or worse, that the palette is not obscuring real edges?

In some cases the answer is simple. Let’s take a look at the four versions of the map in my last figure. The first on the left was generated using th ROYGBIV palette I described in this post. It would be obvious to me, even if I never looked at the L* profile, that the blue areas are darker than the purple areas, giving the map a sort of inverted image look.

South_America_maps_LinearL_rainbow

But how about the second map from the left? For this I used the default rainbow from a popular mapping program. This does not look too bad at first sight. Yes, the yellow is perceived as a bright, sharp edge, and we now know why that is, but other than that it would be hard to tell if there are artifacts. After a second look the whole area away from the Andes is a bit too uniform.

A good way to assess these maps is to use grayscale, which we know is a good perceptual option, as a benchmark. This is the last map on the right. The third map of South America was coloured using my adjusted linear L* palette. This maps looks more similar to our grayscale benchmark. Comparison of the colorbars will also help: the third and fourth are very similar and both look perceptually linear, whereas the third does show flatness in the blue and green areas.

Let me know what you think of these examples. And as usual, you are welcome to use the palette in your work. You can download it here.

UPDATE

With my following post, Comparing color palettes, I introduced my new method to compare palettes with ImageJ and the 3D color inspector plugin. Here below are the recorded 3D animations of the initial and adjusted palettes respectively. In 3D it is easier to see there is an area of flat L* between the dark purple and dark blue in the initial color palette. The adjusted color palette instead monotonically spirals upwards.

References

[1] Kindlmann, G. Reinhard, E. and Creem, S., 2002, Face-based Luminance Matching for Perceptual Colormap Generation, IEEE – Proceedings of the conference on Visualization ’02

Related posts (MyCarta)

The rainbow is dead…long live the rainbow! – the full series

What is a colour space? reblogged from Colour Chat

Color Use Guidelines for Mapping and Visualization

A rainbow for everyone

Is Indigo really a colour of the rainbow?

Why is the hue circle circular at all?

A good divergent color palette for Matlab

Related topics (external)

Color in scientific visualization

The dangers of default disdain

Color tools

How to avoid equidistant HSV colors

Non-uniform gradient creator

Colormap tool

Color Oracle – color vision deficiency simulation – stand alone (Window, Mac and Linux)

Dichromacy –  color vision deficiency simulation – open source plugin for ImageJ

Vischeck – color vision deficiency simulation – plugin for ImageJ and Photoshop (Windows and Linux)

For teachers

NASA’s teaching resources for grades 6-9: What’s the Frequency, Roy G. Biv?

ImageJ and 3D Color inspector plugin

http://rsbweb.nih.gov/ij/docs/concepts.html

http://rsb.info.nih.gov/ij/plugins/color-inspector.html

Visualization tips for geoscientists: Matlab, part III

 Introduction

Last weekend I had a few hours to play with but needed a short break from writing about color palettes, so I decided to go back and finish up (for now) this series on geoscience visualization in Matlab. In the first post of the series I expanded on work by Steve Eddins at Mathworks on overlaying images using influence maps and demonstrated how it could be used to enhance the display of a single geophysical dataset.

Using transparency to display multiple data sets an example

At the end of the second post I promised I would go back and show an example of using transparency and influence maps for other tasks, like overlaying of different attributes. Here’s my favorite example in Figure 1. The image is a map in pastel colors of the Bouguer Gravity anomaly for the Southern Tuscany region of Italy, with three other layers superimposed using the techniques above mentioned.

It is beyond the objectives of this post to discuss at length about gravity exploration methods or to attempt a full interpretation of the map. I will go back to it at a later time as I am planning a full series on gravity exploration using this data set, but if you are burning to read more about gravity interpretation please check these excellent notes by Martin Unsworth, Professor of Physics at the Earth and Atmospheric Sciences department, University of Alberta, and note 4 at the end of this post. Otherwise, and for now, suffice it to say that warm colors (green to yellow to red) in the Bouguer gravity map indicate, relatively speaking, excess mass in the subsurface and blue and purple indicate deficit of mass in the subsurface.

The black and grey lines are lineaments extracted from derivatives of the Bouguer gravity data using two different methods [1]. The semitransparent, white-filled polygons show the location of some of the  basement outcrops (the densest rocks in this area).

Lineaments extracted from gravity data can correspond to contacts between geological bodies of different density, so a correlation can be expected between basement outcrops and some of the lineaments, as they are often placed in lateral contact with much lesser dense rocks. This is often exploited in mineral exploration in areas such as this where mineralization occurs at or in the vicinity of this contacts. As an example, I show in Figure 2 the occurrences (AGIP – RIMIN, unpublished industry report, 1989) of silicization (circles) and antimony deposits (triangles), superimposed on the distance from one of the set of lineaments (warm colors indicate higher distance) from Figure 1.

The fact that different methods give systematically shifted results is a known fact, often due the trade-off between resolution and stability, whereby the more stable methods are less affected by noise, but often produce smoother edges over deeper contacts, and their maxima may not correspond. This is in addition to the inherent ambiguity of gravity data, which cannot, by themselves, be interpreted uniquely. To establish which method might be more correct in this case (none is a silver bullet) I tried to calibrate the results using basement outcrops (i.e. does either method more closely match the outcrop edges?). Having done that, I would have more confidence in making inferences on possible other contacts in the subsurface suggested by lineament. I would say the black lines do a better overall job in the East, the gray perhaps in the West. So perhaps I’m stuck? I will get back to this during my gravity series.

Figure 1

regio_distance_mineral_occurrences

Figure 2

Matlab code

As usual I am happy to share the code I used to make the combined map of Figure 1. Since the data I use is in part from my unpublished thesis in Geology and in part from Michele di Filippo at the University of Rome, I am not able to share it, and you will have to use your own data, but the Matlab code is simply adapted. The code snippet below assume you have a geophysical surface already imported in the workspace and stored in a variable called “dataI”, as well as the outcrops in a variable called “basement”, and the lineaments in “lnmnt1” and “lnmnt2”. It also uses my cube1 color palette.

 
% part 1 - map gravity data
figure; imagesc(XI,YI,dataI); colormap(cube1); hold on;
%
% part 2 - dealing with basement overlay
white=cat(3, ones(size(basement)), ones(size(basement)),...
 ones(size(basement)));
ttt=imagesc(Xb,Yb,white); % plots white layer for basement
%
% part 3 - dealing with lineaments overlays
black=cat(3, zeros(size(lnmnt1)), zeros(size(lnmnt1)),...
 zeros(size(lnmnt1)));
grey=black+0.4;
basement_msk=basement.*0.6;
kkk=imagesc(XI,YI,black); % plots black layer for lineament 1
sss=imagesc(XI,YI,gray); % plots gray layer for lineament 2
hold off
%
% part 4 - set influence maps
set(ttt, 'AlphaData', basement_msk); % influence map for basement
set(kkk, 'AlphaData', lnmnt1); % influence map for linement 1
set(sss, 'AlphaData', lnmnt2); % influence map for linement 2
%
% making it pretty
axis equal
axis tight
axis off
set(gca,'YDir','normal');
set(gcf,'Position',[180 150 950 708]);
set(gcf,'OuterPosition',[176 146 958 790]);

Matlab code, explained

OK, let’s break it down starting from scratch. I want first to create a figure and display the gravity data, then hold it so I can overlay the other layers on top of it. I do this with these two commands:

figure;imagesc(XI,YI,dataI);

hold on;

The layer I want to overlay first is the one showing the basement outcrops. I make a white basement layer covering the full extent of the map, which is shown in Figure 3, below.

Figure 3

I create it and plot it with the commands:

white=cat(3, ones(size(basement)), ones(size(basement)), ones(size(basement)));

ttt=imagesc(Xb,Yb,white);

The handle  ttt is to be used in combination with the basement influence map to produce the partly transparent basement overlay: remember that I wanted to display the outcrops in white color, but only partially opaque so the colored gravity map can still be (slightly) seen underneath. I make the influence map, shown in Figure 4, with the command:

basement_msk=basement.*0.6;

Since the original binary variable “basement” had values of 1 for the outcrops and 0 elsewhere, whit the command above I assign an opacity of 0.6 to the outcrops, which will be applied when the next command, below, is run, achieving the desired result.

set(ttt, ‘AlphaData’, basement_msk); % uses basement influence map

Figure 4

For the lineaments I do things in a similar way, except that I want those plotted with full opacity since they are only 1 pixel wide.

As an example I am showing in Figure 5 the black layer lineament 1 and in Figure 6 the influence map, which has values of 1 (full opacity) for the lineament and 0 (full transparency) for everywhere else.

Figure 5

Figure 6

Now a few extra lines to make things pretty, and this is what I get, shown below in Figure 7: not what I expected!

Figure 7

The problem is in these two commands:

white=cat(3, ones(size(basement)), ones(size(basement)), ones(size(basement)));

ttt=imagesc(Xb,Yb,white);

I am calling the layer white but really all I am telling Matlab is to create a layer with maximum intensity (1). But the preceding colormap(cube1) command assigned a salmon-red color to the maximum intensity in the figure, and so that is what you get for the basement overlay.

Again, to get the result I wanted, I had to come up with a trick like in the second post examples. This is the trick:

I create a new color palette with this command:

cube1edit=cube1; cube1edit(256,:)=1;  

The new color palette has last RGB triplet actually defined as white, not salmon-red.

Then I replace this line:

figure; imagesc(XI,YI,dataI); colormap(cube1); hold on;

with the new line:

figure; imagesc(XI,YI,dataI, [15 45]); colormap (cube1edit); hold on;

The highest value in dataI is around 43. By spreading the color range from [15 43] to [15 45], therefore exceeding max(dataI) I ensure that white is used for the basement overlay but not in any part of the map where gravity is highest but there is no basement outcrop. In other words, white is assigned in the palette but reserved to the overlay.

Please let me know if that was clear. If it isn’t I will try to describe it better.

Notes

[1] One method is the total horizontal derivative. The other method is the hyperbolic tilt angle – using Matlab code by Cooper and Cowan (reference). This is how I produced the two overlays:  first I calculated the total horizontal derivative and the tilt angle, then I found the maxima to use as the overlay layers. This is similar to Figure 3e in Cooper and Cowan, but I refined my maxima result by reducing them to 1-pixel-wide lines (using a thinning algorithm).

Reference

Cooper, G.R.J., and Cowan, D.R. (2006) – Enhancing potential field data using filters based on the local phase  Computers & Geosciences 32 (2006) 1585–1591

Related posts (MyCarta)

Visualization tips for geoscientists: Surfer

Visualization tips for geoscientists: Matlab

Visualization tips for geoscientists: Matlab, part II

Image Processing Tips for Geoscientists – part 1